Friday, November 27, 2009

INCBPI - 1ST GET TOGETHER

The first ever Get Together of some of the brethrens in BPI was a success!
The event started with an opening prayer lead by Bro Joel.









Wow!!! We are all so overwhelmed to meet our fellow brethrens in person!



All of us who attended the gathering had dinner together. Then while feasting on our food, all of us introduced ourselves. We also had picture taking before Bro Joel left. We continued enjoying our dinner while Sis Jizz hosted the Ice Breaker questions.












All of us, I believed, had fun meeting new friends, especially those who also belong to the flock.
The event concluded at past 8PM.

Tuesday, September 29, 2009

Ten Ways To Look Fabulous in Pictures

The photographer’s worst nightmare: being hauled out from behind the lens and forced to stand in front of a camera.

Why must people photograph us? Yes, photographers are adorable, and yes, we have unparalleled style. But we are shy, and we prefer to hide behind our cameras like frightened woodland creatures behind large trees.

Still, people do insist on taking our pictures. So, what to do when you can’t avoid being photographed? Stand tall and follow our tips for instant photogenicity.

The Top Ten Ways To Look Good in Pictures

Ten Things You Can Do to Look Fantastic in Photos

There are approximately a kajillion tricks, tips and gimmicks that are supposed to make you look great when the shutter clicks. Having combed through most of those, we’ve condensed it to the ones that actually work.

1. Dress Nice
If you know you’re going to be photographed, don’t wear horizontal stripes or crazy patterns. Opt for neutral colors over bright ones unless you are one hundred percent certain that color looks great on you.

2. Check the Mirror
Do a last-minute check of your face: cover up any pimples, put drops in your eyes if they’re red, and make sure you don’t have food in your teeth.

3. Don’t Shine
If you’ve been sweating or if your face is greasy, make sure to wipe your face. Use oil-blotting papers if you wear makeup, or blot with a slightly damp paper towel.
In a pinch, wipe your face with your sleeve before venturing in front of the camera.

4. Stand Up Right
Slouching makes you look nonchalant, but it also makes you look short and/or dumpy.
Place one foot behind the other, and lean back just a little bit. You’ll still look relaxed, but you’ll also look tall.

5. Twist It Up
Stand facing slightly away from the camera, then twist at the waist to face the camera. Make it subtle- if you overdo it you’ll look like a stray from a beauty pageant.

6. Stretch Your Neck
Turn your head slightly away from the camera, extend your neck, then tilt your head down. Your face will look thinner and you won’t have a double chin.

7. Flee the Flash
Avoid the unforgiving bare flash at all costs. If you can’t get around it, search your pockets for a translucent candy or gum wrapper and put it over the flash to diffuse it.

8. Choose Your Light
If you can choose when and where you’ll be photographed, pick an outdoor shoot in the morning or late afternoon. The light is more flattering at those times.
If you have to be photographed in the middle of the day, stand in the shade.

9. Watch Where You Stand
An interesting background will make you look more interesting too. Choose a pretty outdoor scene to stand in front of, or look for a wall with interesting texture or colors. Avoid standing in front of plain or drab backgrounds.
Of course, if you can’t find a pretty location, you can always stand next to someone ugly. You’ll look great by comparison. (Just kidding. Or are we?)

10. Meditate for a Moment
Ask the photographer to count to three before taking the picture. Close your eyes and breathe in. Then, just before the shutter clicks, breathe out, open your eyes and smile. Your face will look relaxed and your smile will be real.

Friday, September 25, 2009

Qualities of a Winning Print

Qualities of a winning print

The prints must have something to make them special, such as an artistic touch or an unusual subject. Award-winning photographers must work not only to develop techniques, but also to discover the inner self that provides the spark that separates their work from that of others.

IMPACT "Is this a new and fresh approach to an assignment?" If your answer is no, the image probably looks unreal or contrived. Try again. Impact is an important element in winning pictures, providing the quality that stops viewers in their tracks and demands attention.

COMPOSITION The effective use of space, diagonals, pyramids, leading lines and other compositional elements is essential for artistic photographs. " When we stand in front of a truly well-composed photograph, the only feeling we can have is humility, for we know that we are freed from the many details of our daily lives."
Frank Kristian 5 basic types of composition: from left to right, from right to left, the triangle, the "S" composition and the "L" composition.

SUBJECT MATTER Extraordinary faces and places attract more attention than ordinary ones do. Beautiful women handsome men, adorable children, and expressive faces make superior subject for portraits.

CENTER OF INTEREST Does your eye zoom to the photograph's center of interest? If it doesn't, you may have 2 or more centers of interests that vie for the viewer's attention. Anything that detracts from the center of interest lowers a print's scores.

STYLE Does the photograph tells a story? In some images the story is confused by conflicting elements. Fortunately, you can soften or darken these with a vignette or artwork. Another problem in some photographer is the issue of contrived props or locations, such as a hay bale combined with a painted background.

LIGHTING Does the use of light improve or detract from the photograph? The ability to truly see light is one of the most precious gift a photographer can cultivate. Learning how to observe and utilize various types of illumination often requires years of practice or study under skilled instructors. Judges analyze how well the photographer used the light.

COLOR BALANCE Does the strongest colors add to the center of interest or do they lead the viewer's eye elsewhere? Warm colors, such as red, orange, dominate photographs, while cool colors, such as green or blue, recede into the background.

PRINT QUALITY Does the print contain detail in the highlights as well as the shadows? An award winning print must have both. Also, is the print sharp? Did enlargement focus or subject movement create a fuzzy image?

PRESENTATION Do the mounting or matte help the print or do they detract from the overall effect. Any mounting or matting that calls attention to itself will hurt the prints score.

ON CREATIVITY For me creativity always requires concentration and sometimes exercises that help light an inner spark. From my doctor, I learned to wash my mind clear of all thoughts except my client. I ask my associates to aid my concentration by deferring telephone calls and other interruption for a short length of time. From great photographers I learned to prepare for a session with warm-up exercises to free the creative spirit that comes to me from a higher power. Often I'll skim books by great photographers or artists before a session. I also keep notebooks filled with magazine clippings and photographers organized by subject, such as men, women, children, groups and brides.

Composer Johannes Brahms said he tried to put his mind in neutral so the music would flow through him. Some of my best creative ideas have formed an extended, pre dawn walks when I have time to listen without interference from telephones, radio, television or other people. Discipline and creativity might seem to be on conflict, but for me they go hand-in-hand I must force myself to take time for a long walks in order to have quite time alone for prayer and contemplation.

Year of working eight to ten hours a day behind the camera finally paid off when I learned to see light, composition and emotion in a session. Some days I don't feel like doing the scheduled session in my appointment book, but my sense professionalism requires me to work anyway. And by the end of the day, I usually feel exhilarated. An added bonus sometimes on these jam-packed days, I create winning prints.

Excerpts from "The Business of Portrait Photography by Tom McDonald.

Tuesday, September 22, 2009

The Different Methods Of Cleaning Memory Cards [by: Robert S. Donovan]

The Different Methods Of Cleaning Memory Cards
Copyright Robert S. Donovan

"Just delete the photos you don't want," one friend suggests when you ask what to do when you've finished downloading a memory card to your computer.

"No, no. You want to format it in the camera to be safe," chimes in another

And still a third friend offers, "What's best is low level formatting, if you camera offers it."

For a lot of people starting out in digital photography, all these bits of advice can seem both conflicting and confusing. What is low level and why is it better? What happens if I just delete? And will anyone make fun of me if I do the `wrong' thing?

First, let me belay the last question. We are all here to learn and at some point or another everyone faces this question. So don't sweat not knowing because this post will help set the record straight on how each method works. It's my hope you will then be able to speak intelligently about the different methods and use that knowledge for the greater good of digital photographers everywhere.

For the techies out there, I suggest you look away from this next part. I'm going to over simplify things a bit in order to make sure the basics of data storage are understood. I'm not going to get into bits and bytes and instead try to make this post accessible for all. And for the sake of argument, we'll assume all digital cameras function essentially the same when it comes to card formatting, etc… while admitting different models and brands do things ever so slightly differently. That's not really in the scope of this post either.

Square One
Let's start with some basics and use an analogy. Imagine your memory card is a book. A real simple book with only a table of contents and the pages. Maybe it's 50 pages of Table Of Contents (TOC) and another 450 of actual story, so 500 pages in all. Now then, when you take a picture, essentially what the camera does is write all the information of the picture (all the information from the camera's sensor) onto a page in the book and then notes that page in the TOC. Pretty simple. The camera writes out a page that describes a flower in massive detail and then writes in the TOC that page 342 contains "flower, shot on March 12th, etc…"

You finish shooting for the day. You've downloaded all the information from the card to your computer and are prepared to take more pictures. Here's where the different methods come into play.

Deleting Photos
When you delete photos you are, more or less, going into the TOC and erasing the entry for "flower, shot on March 12th, etc…". This then lets the camera know that page 342 is available to be written over. Either one at a time, or all at once, you're only affecting the TOC, not the actual pages when you delete. On page 342 there still exists a massively detailed description of a flower, but your camera only knows what's on each page by looking at the TOC, NOT the individual pages. As far as it knows, there is nothing on page 342 and it can reuse that page

Basic Or High Level Format
Until the last couple of years this was the only type of formatting available on cameras. And you might not have even know it because it was only called "Format". This was the quick way to delete a whole card and start fresh. Just like the Deleting option above, it wipes clean the TOC only but does it all at once. Nice and efficient and according to a camera looking ONLY at the TOC, you have a completely clean book on which to write. (NOTE: in these examples the camera will actually take a page from the book and, when it's ready to write a new picture, erase each letter, one at a time while it writes in the new information. We'll get to why this is important in a bit.) Again, it's only a TOC function, not a book function when formatting a card at high level.

Low Level Format
Now we have the real destructor. A Low Level Format not only wipes out the TOC but it will go through and erases each and every letter on each and every page and types in little zeros in all those spots. What you end up in the end is a book with no TOC and zeros everywhere. There's no way to find out what was there beforehand.

What Does This All Mean?
What this all means is if you want to reclaim the maximum amount of space and have the cleanest card, use a Low Level format if your camera can do it.

If not, be aware that your camera will be constantly writing to pages with text already on them, sometimes taking more than a page to write a single picture. And if you only delete some pictures and then start shooting again, you may be telling the camera it's ok to use pages 342, 355 and 398. The camera might then use all of page 342 and then some of 355 for the next shot. This is the classic definition of fragmentation and it can slow performance over time (although less so with solid state media like memory cards than it can with moving hard drives). The next picture you shoot then straddles page 355 where the last image left off and part of 398. And on and on and on.

Go back and delete that first picture and the camera now thinks all of 342 and part of 355 is available, while the next picture taken may only use part of that. Confused? This is why a fragmented hard drive on your main computer runs slower because of having to `think' and hunt for all those little bits and pieces that aren't all written on consecutive pages, but instead scattered depending on where available pages popped up when it was time to write information.

The method of deleting photos or running a High Level Format does have one advantage though: it's (somewhat) undoable. Meaning, if you accidentally ran a High Level Format on your card and, GASP!, realized you didn't want to, chances are all those pictures are still there on all those page. If you followed along above, all those descriptions of what the camera saw with each picture are, in fact, still in the book, there's just no Table Of Contents to help the camera (or home computer) find them. This is where photo recovery software comes in.

Photo recover software works on the principle that all the info is there, but you need to read the entire book in order to write out a new TOC. And that's what it does. While not perfect, photo recovery software will read that original page 342, understand where the description of the flower starts and stops and then present you with the image, letting you decide to keep it or recover it. Most programs do not rewrite the TOC for you and instead keep a virtual copy resident as long as the program runs.

And that concludes today's over simplified analogy lesson of how data is stored and destroyed on flash memory cards. I'm not here to tell you which is best (ok, I kind of did, just a little) but hope the info in this post will help you make an informed decision in the future! What works best for you is completely up to you.

Monday, September 21, 2009

I'm Pretty in Miggy's Eyes





Miggy - a new friend I've met in BPI Camera Club. He's a guy from ISG, the department where most of my friends belong.





It all started when one Friday, I realized that my Canon EOS 1000 D's battery is out of charge. I sent a message to him and to Jolly, asking if they're Canon users like me. Miggy replied immediately but he's Sony DSLR user. But he said he has a friend who is a Canon user as well and he was able to bring his charger that day. I immediately went to the 3rd floor to meet these two new friends who are camera addicts like me, Miggy Teotico and Paolo Kimpo.




During the seminar that Friday night Miggy and Pao seated beside me. I realized that I am enjoying their company very much! Pao invited me to join them in their Starex on our way to Shambala Garden that Saturday.




This is one of the very WOW shot taken by Miggy. I felt like I'm a model ready to pose in the front of his camera. He memorized and mastered every settings in his Sony DSLR. He was able to blur the background perfectly.




Here's another shot. I know I am very pretty in here.







Friday, September 18, 2009

Interesting DSLR Facts


The advent of digitized pics totally changed photography and photography business. here are some things that i have learned from my conversations with fellow photographers and camera outlets people: (boss bert, boss rv, boss bebet, ms. ching, boss maynard, pls. confirm or refute)

1. the commercial picture printers have suffered a lot bec. of digital. many point-and-shooters charged the regular print prices are contented viewing their shots from the lcd, tv, pc, or just printing them at home/office.

2. most filipino buyers of high-end cameras are the hobbyists and not the pros since it costs a fortune to buy high end gadgets. before the pros are able to recover equipment cost, a new camera model comes along.

3. some well off hobbyists like those in the govt. flock to hidalgo , just ask what is the latest model, plunk in their load (a.k.a. peso) and ask the store to sell their not-so-old equipment at a bargain.

4. cameras became affordable due to the digital age and so many have turned to photography as a hobby esp. the teens.

5. because of the teeming competition, charges of the pros have been going down with the exception of a few who have established names.

6. trend for camera lenses esp. the zooms is bigger maximum fixed apertures (vs. the variable aperture ones like an 18-200mm zoom lens with an f/3.5 at 18mm but becoming an f/5.6 at 200mm).

7. prime lenses will continue to enjoy its popularity due to a relatively bigger opening like f/1.4, giving a bokeh advantage.

8. tamron and tokina have lenses that were reviewed better than the ones made by nikon and canon. however, oem lenses have better secondary market prices.

9. those planning to buy cameras should also be concerned about memory cards. compared to compact flash and sd cards, xd and memory sticks are relatively more expensive.

10. be a member of pipho so that you can enjoy discounts at digital walker at greenbelt , although nothing beats hidalgo prices.

11. available in the market now are cameras converted into purely taking infrared shots.

12. many pros even if they are avowed nikon or canon users shift brands if they get a better deal from any of the 2 leading brands.

13. prints from digiprint and photoline are much better than fuji. kaya lang, fuji is cheaper. he,
he. look for aris nolasco of fuji-bpi (you know what i mean, chong) and instruct him to "adjust to 2 stops density" so that your prints will not become disappointingly dark or murky